منابع مشابه
The Influence of Poincaré’s Thoughts on the Origins of Random and Chance in Works of Marcel Duchamp and John Cage
Chance is a broad concept which has become an important factor in linking science and art in the twentieth century. Simultaneously, concept emerged as a new scientific paradigm in Arts by Henry Poincaré and especially Marcel Duchamp, who has affected many artists such as John Cage, one of aleatoric music pioneers .This paper investigates the differences and similarities of the chance concept in...
متن کاملMarcel Arnold * and Marie
EPIDEMIOLOGY Cervical artery dissection accounts for up to 20% of strokes in patients under 30 years of age (Bogousslavsky et al. 1987). The incidence of carotid dissection is about 2–3 per 100 000 per year (Schievink et al. 1993; Giroud et al. 1995); the incidence of cervical dissection must be higher because these fi gures do not take into account vertebral dissection (about 25% of all dissec...
متن کاملRoman Liepelt1, & Marcel Brass1,2
There is recent evidence that we directly map observed actions of other agents onto our own motor repertoire, referred to as direct matching (Iacoboni et al., 1999). This was shown when we are actively engaged in joint action with others' (Sebanz et al. 2003) and also when observing irrelevant movements while executing congruent or incongruent movements (Brass et al., 2000). However, an open qu...
متن کاملGabriel Marcel on Hope
According to Gabriel Marcel, being cannot be approached directly through a conceptual way, because it belongs to the real territory of mystery rather than that of problem. One of the most important concepts in Marcel’s philosophy is that of hope. Marcel’s conception of hope relies upon a distinction between “having” and “being.” We do not have a belief; we are in a belief. Similarly, ...
متن کاملObituary: Marcel F. Neuts 1935-2014
MarcelNeuts died in his home inTucson,Arizona, on 9March 2014. Hewas born inBelgium on 21 February 1935, and received his school and undergraduate education in Belgium before moving to Stanford University for his Masters (1958–1959) and PhD (1959–1960), supervised by Samuel Karlin. His main academic appointments were at Purdue University (1962–1976), University of Delaware (1976–1985), and The ...
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ژورنال
عنوان ژورنال: Critique d’art
سال: 2017
ISSN: 1246-8258,2265-9404
DOI: 10.4000/critiquedart.21349